by Angela Bourassa (@angelabourassa1) Writer/director Brian Taylor is known for his totally unique, irreverent voice as a filmmaker. It’s the first thing you notice about his past films Crank and Gamer, his new television show Happy!, and that voice is certainly crystal clear in his latest film, Mom and Dad,
by Ashley Scott Meyers In this week’s episode of the podcast I talk with actress and producer Kaily Smith Westbrook about her new film, People You May Know. You can listen to the audio portion of the podcast by clicking here or through iTunes by clicking here. You can also
by Angela Bourassa (@angelabourassa1) Every year a few new Christmas movies are thrust upon theater audiences, and they are usually forgotten well before December 25. But once in a while, a movie strikes a chord and gives us something new to look forward to each holiday season. Any list of
The Where the Wild Things Are script was written by Spike Jonez and Dave Eggers based on the children’s book by Maurice Sendak.
The Theory of Everything script was written by Anthony McCarten.
The script for The Thing was written by Bill Lancaster based on the story Who Goes There by John W. Campbell, Jr.
The amazing thing about any movie is not whether it’s good, but that it got made at all.
A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit. Everything else– just tear that motherfucker apart.
Les Miserables was written by William Nicholson, Alain Boublil, Claude- Michel Schönberg, and Herbert Kretzmer based on the play based on the book by Victor Hugo.
My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.