by John Bucher (@johnkbucher) When your story is finally written and the final FADE TO BLACK has been executed, you need to be ready to pitch your story to someone that is not legally obligated to tell you they like it. It can be a shock to the system when the script that your mother claimed... Continue Reading →
8 More Power Verbs That Will Strengthen Your Pitch or Logline
by John Bucher (@johnkbucher) Last year, I discussed eight verbs that would make your pitch or logline more commanding. That post ended up being one of the most popular articles I’ve written. For review, the verbs used in your pitch should be both external and visual. Many writers begin with an internal process or journey as... Continue Reading →
8 Verbs that Will Strengthen Your Pitch or Logline
by John Bucher (@johnkbucher) A listener will usually know in the first ten seconds of hearing about your story if their curiosity has been piqued or not. Every word should be chosen wisely when pitching your idea. However, no other part of the pitch has as much potential to invite the listener in as the action... Continue Reading →
Ask LA Screenwriter: Revealing Your Twist in a Pitch or Logline
by Angela Bourassa I've gotten the same question from several different sources lately. The basic question is: Should I reveal my big twist in my logline or pitch? I'm worried that giving away the ending will ruin the read for whoever's evaluating my script. This question came up during a panel I was on at the recent... Continue Reading →
How to Look Like a Screenwriter
by Fin Wheeler Screenwriters are a deeply superficial bunch. We spend every writing hour trying to find new ways to show, not tell, our protagonist’s flaws, strengths, and character. Despite this, we often overlook the importance of our own physical appearance. Research has shown that in the average white collar work place, those who are... Continue Reading →
