Loglines, Querying, Coverage, & Agents
Mastering the One-Page Synopsis
Agents, Managers, and Lawyers: The Basics
How to Write a Compelling Logline
24 Tips for Pitching Your Script
Practical Advice for Finding an Agent or Manager
How to Win a Screenplay Contest
Loglines for Specs that Sold in 2012 (& What You Can Learn From Them)
How to Talk to Hollywood (and Be Taken Seriously)
Getting Your Script Read: Send Queries
What Agents Have to Say About Loglines
Discounts on Recommended Script Consultants
Why You Don’t Have to Worry About Protecting Your Script
The Pros and Cons of Script Coverage Services
A Few Reasons to Give Script Consultants a Shot
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Script Analysis
Video: Story-Mapping Iron Man 3
Blade Runner - Go Into the Story
Bridesmaids - Go Into the Story
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Recommendations
LA Screenwriter’s 15 Best Posts of 2013
How to Make Screenwriting with a Partner Easier
Event: The Great American Pitchfest
Save the Cat! Story Structure Software 3.0
Free Online Master Class: Charlie Kaufman
The International Screenwriter’s Association
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Reviews
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Lists
Martin Scorsese’s 85 Films You Need to Watch
The Highest-Grossing Screenwriters of All Time
Stanley Kubrick’s 10 Favorite Movies
5 Greatest Screenwriters of All Time
50 Best Opening Scenes of All Time
John Steinbeck’s Six Writing Tips
50 Dead Giveaways That You’re an Amateur Writer
Joss Whedon’s Ten Rules of Screenwriting
Pixar’s 22 Rules of Storytelling
101 Greatest Screenplays Ever Written
15 Films to Watch This Halloween
15 Films You Shouldn’t Attempt to Emulate
15 Movies that Changed Film Forever
10 Writing Tips from the Great Billy Wilder
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Interviews
Jeremy Garelick Talks The Hangover, Ideal Writing Partners, & “Sleeping” Scripts
The Secrets of R-Rates Comedy: Part II
The Secrets of R-Rated Comedy: Part I
An Animated Discussion with Writer Rob Edwards (The Princess and the Frog)
Politics, Love, & Screenwriting: A Conversation with Steve Faber
The Script You Can’t Not Write: An Interview with 500 Days Scribe Scott Neustadter
Summer Flops Leading to a Film Industry Implosion?
Video: Game of Thrones, Mad Men Showrunners on Creating Emmy-Winning Television
Learning from the Masters: An Interview with William Goldman
Talentville: Taking Up Residence in the Virtual Screenwriter’s City
Choosing the Right Screenwriting Competitions
An Interview with Frank Pierson, Scribe of Cool Hand Luke
Writing Movies for TV: Interview with Rick Suvalle
Know the Rules, Then Bend Them: Ben Ripley on Source Code
An Interview with Master of Story, Robert McKee
Close Up on Bob DeRosa, Writer of Killers
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Miscellaneous
Why Bad Scripts Get Bought (and Yours Don’t)
Women in Film: We’ve Got a Long Way to Go
Roger Ebert: A Definite Thumbs-Up
If an 89-Year-Old Man Can Write Romance Novels, You Can Write Scripts
The Black List - Why it Matters
ScreenwritingU ProSeries: Is It Worth It?
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