Posts tagged ‘genres’

February 17, 2014

Save the Cat Genres of 2013′s Best Films

Erik Bork has gone through several of 2013′s best films and has pinpointed which of Blake Snyder’s ten genres each film fits into (the genres are from the books Save the Cat and Save the Cat Goes to the Movies). The movies run the gamut, ranging from Dude with a Problem to Buddy Love.

The point isn’t to say that any genre is better than any other, but to note that they all do fall into set story types.

Try going through some of your favorite films and figure out which of the ten genres they fit best. You might be surprised how clearly each film falls into one category. Then look at your own scripts. If they don’t fall neatly into one genre, you probably have some structural issues that you need to work on.

Here’s what Erik has to say:

12 Years a Slave: “Golden Fleece”. The original Golden Fleece, Homer’s Odyssey, established the basic criteria: there’s a long road which some sort of team travels down (usually with a single main character at the center of it), in pursuit of a life-changing prize. The key here is that the audience really cares that they reach the prize – life will be unthinkably bad if they don’t, and so much better if they do. And there are a lot of trials and costs along the way of trying to reach it. What could be a more compelling prize than what this main character is chasing, which is freedom from being unjustly enslaved? And this is what he constantly pursues, throughout the movie. (Great central problems require the main character to continuously push toward their goal, which leads to loads of complications that only increase the problem – until it’s finally resolved at its climax.) Other “Fleeces” include Finding Nemo, The Hangoverand Saving Private Ryan.

American Hustle: Also a “Golden Fleece,” subgenre “Caper Fleece”, where a group of somewhat damaged people try to outwit an (arguably) less sympathetic opponent through a complicated mission, as in The Sting or Oceans 11. I personally wasn’t sure I loved the hero(es) enough, or understood what they were trying to pull off, but wow, great performances, and great hair!

January 3, 2014

Creativity Tools: The Netflix Genre Generator

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The good people at The Atlantic, amused at how specific some of Netflix’s genre categories are, put together a Genre Generator for movies of ALL types. Check out the generator at the Atlantic and have some fun imagining new movie ideas. Who knows? You might land on a genius new concept for your next script.

November 1, 2011

Recommendation: Save the Cat! Story Structure Software 3.0

Blake Snyder Enterprises has announced the release of Save the Cat! Story Structure Software 3.0. I haven’t tried this software yet… but it looks really cool. As someone who struggles with structure (and a big fan of Snyder’s 15 beats) I’m thoroughly excited to download this product and plot out my next script.

The software has an innovative Board for visualizing your entire script in an easily viewable way right on your computer screen. It also has tools for beating out your script, developing your logline, and framing your structure according to one of Snyder’s 10 genres.

You can learn more about Save the Cat! Story Structure Software 3.0 here. It costs $99.95 and has Windows, Mac, iPhone and iPad versions.

And please — If you’ve tried previous versions of the software or have already purchased this release, let us know how you like it!

September 15, 2011

TV Writer Spotlight: The Genres of One-Hour Drama

Chad Gervich, author of Small Screen, Big Picture: A Writer’s Guide to the TV Business, recently shared his breakdown of what he sees as the four genres of television dramas. He also discusses how these generes can be mixed. Here’s an excerpt:

Procedurals

Procedurals are shows that derive their stories from a specific procedure, such as NCIS, House, or Criminal Minds. Each episode begins with the introduction of a problem, which our main characters must solve using their unique procedure. CSI uses forensics, The Practice used lawyers and the legal system, etc. Procedurals traditionally tell standalone stories — stories that have a complete beginning, middle, and end in each hour.