Posts tagged ‘paying for coverage’

April 20, 2011

The Pros and Cons of Script Coverage Services

This article by Ray Morton is a response to another writer’s attack on script coverage services. Ray raises a number of valid (and thoroughly explained) points about the value of quality script coverage.

My only word of advice on the topic is this: If you’re going to spend the money on a coverage service, be sure to pick one that is well-reviewed and well-respected. A lot of people claim to be able to help you with your script, but not very many actually can. Take the time to do your research before handing over your script and your cash:

A few weeks back, Chad Gervich created quite a stir when he wrote an article for this website advising aspiring screenwriters not to use script coverage services. As I am a professional script analyst who—in addition to assessing scripts for producers, production companies, and screenplay contests—works for a coverage service (ScriptXpert, which is owned by Final Draft, Inc., the company that also owns this website), I had some strong reactions to Chad’s piece. I posted some of them in the article’s comment section, but wanted to offer a more detailed and thoughtful response here.

For those that don’t know, coverage is the name given to the 3-5 page reviews written by script analysts (also known as readers) of the screenplays submitted to their employers (producers, production companies, studios). These reviews assess a script’s strengths and weaknesses in a number of areas (premise, story, characters, dialogue, writing), as well as its suitability for production (a judgment arrived at by considering the quality of each script along with the needs/interest of the production entity—for example, if the producer wants to make a horror film, then a reader obviously wouldn’t recommend a romcom). Coverage is an internal document used by a production entity’s development staff and principals as a guide when deciding whether or not to proceed with a particular screenplay. It is usually confidential and not distributed to the writers of the script or anyone else outside of the production entity.